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Shri Sai Satcharitra-Chapter-41-Part I
As stated in the last chapter, we continue here the story of the picture.
Nine years after the occurrence of the incident depicted in the last chapter, Ali Mahomed saw Hemadpant and related to him the following story.
One day while wandering in the streets of Bombay he bought the picture from a street-hawker; then he framed and set it on a wall in his house at Bandra (suburb of Bombay). As he loved Baba, he daily took darshana of it. Three months before he gave the picture to Hemadpant, he was suffering from an abscess or swelling on his leg for which an operation was performed and he was convalescing in the house of his brother-in-law, Mr. Noor-Mahomed Peerbhoy in Bombay. For three months his house in Bandra was closed; and nobody was living there.
Only the pictures of the famous Baba Abdul Rahiman, Moulanasaheb Mahomed Hussain, Baba Sai, Baba Tajudin and other saints (living) were there. The wheel of time did not even spare these. He was lying sick and suffering in Bombay. Why should the pictures suffer there (in Bandra)? It seems that they have also their ins and outs (births and deaths). All the pictures met their fate, but how Sai Baba's picture escaped it, nobody had been able to explain to me up till now. It shows the all-pervasiveness, omnipresence of Sai and His inscrutable power.
Sai Ram. All saints have the power since they all are facets of the same One / God. However, just as they don't interfere with the karma / destiny of their own bodies, they would not interfere with the fate / destiny of their photos too. Sai Ram.
To be continued
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