- 1 hr ago Managing Diabetes To Reducing Weight, Some Amazing Health Benefits Of Jicama
- 1 hr ago Yuru Kabgyat Festival 2022: Date, Time, Celebrations, History And Significance
- 3 hrs ago What Is Alagille Syndrome? Causes, Symptoms, Diagnosis And Treatment
- 3 hrs ago 5 Things To Keep In Mind While Designing Your Kids' Bedroom
- Movies Here’s Why Donal Bisht Is Away From TV Shows
- Technology Redmi Note 11T Pro Series India Launch Details Out; To Arrive As Redmi k50i Series
- News PM Modi to inaugurate 1,152 houses constructed under 'Light House Project -- Chennai'
- Education Assam HSLC Result 2022: Check SEBA Class 10 HSLC Result Date, Steps To Download And Other Details
- Automobiles Helmet Mandatory For Pillion Riders In Mumbai - Rs 500 Fine, 3 Month DL Suspension For Offenders
- Finance Emkay Global Recommends Buying This Fashion & Retail Stock For Over 40% Returns
- Sports Endboss 2022 poker tournament concludes on Pokerbaazi; full list of winners, prize money
- Travel Here's Why Maharashtra Should Be Your Next Monsoon Vacation Destination?
Rabindranath Tagore bags the credit for being the first non-European to have received the Nobel prize for literature in 1913, for the translated version of Gitanjali in English. It was Tagore's effort that brought out the original flavor of the poems, in the way he meant them to be.
The second edition of Geetanjali carries an introduction penned by none other than WB Yeats. These poems are chiefly driven by an earnestness to connect with his inner child, through the medium of spirituality. Gitanjali means offering poems to the supreme, with a sense of final surrender.
Most of his poems are about inner conversations between him and the supreme. Renaissance literature reflected the spirit of Tagore's times. Many poems, depict his conversations with other human beings around him in a narrative form.
He expressed himself beyond compare in the genres of nature, devotion, death, meek acceptance of situations, gratitude, peace, happiness, melancholy, and different shades of emotions through which he ably responded to life. The poems have a picturesque feel with an imagery that is clear and vivid. They feel so real, the chirping of birds, the glowing kerosene lamp, the flying of birds and so much more.
Tagore's English poems are lyrical, with a smooth and elegant flow. He packs in his poems, the vast range of his emotions and the unfailing imagery to the brim.
His thoughts, emotions, and concepts never repeat themselves unnecessarily. His expressions were different every time, in every poem. His personality shone through his entire volume of work of all genres. It is him, who has set natural precedence for writers and showed to what extent a single writer can stretch his imagination.
Gitanjali in Bengali, touched the pinnacle of fame by reaching far and wide across the entire globe, but his expression in an English translation of Gitanjali in a language that was not genetically his own, was very scholarly and erudite. His fluent expressions touched the hearts of his occidental readers as they effectively transmitted the messages he wanted to convey.
The British government honored him by offering him the knighthood which he returned later citing the Jallianwala Bagh massacre as a trigger that sparked this decision. Tagore also comes across as a song lyricist in the manner of Yeats of England. His voluminous and prodigious work simply proves that he did not experience the usual and common writer's block.
Who sits in the reeds by the river in pure green garments, green garments?
Her water pot drifts from the bank
As she scans the horizon,
Longing, distractedly chewing fresh jasmine, O who is it
Sitting in the reeds by the river in pure green garments?
This is a stanza from the poem "New Rain" which is notable for its rhyme-rich language. The national anthem "Jana Gana Mana," is one of those few anthems that start with three consecutive rhymes, that were penned by the poet. But he not only entered the free verse arena as early as the 1770s, but he also wrote poems based on the Ghazals of Hafiz. There was not one genre on which he had not laid his hands. His poem "In the Eyes of a Peacock" is about his granddaughter.
In the below section, you can catch a glimpse of three of his poems and get an idea about the first, third, and the 32nd poem in the Gitanjali.
Thou hast made me endless (The First Poem In Gitanjali)
"Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life. This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new."
The very first poem from Gitanjali is about a conversation he carries on with Lord Krishna, who holds a flute in his hands. He explains how his fragile human form gets filled with a fresh new breath of life, no matter how many times it empties itself. This certainly means that we as humans have multiple lives, through which we come alive, and that our mortal coil greets the soul that connects with it in every lifetime. It may get emptied in due course of time, but the process is continuous and never-ending. Despite all this, the soul continues to remain pure and blissful and blessed by the beneficence of Krishna.
'I know not how thou singest, My Master' (The Third Poem In Gitanjali)
"The life breath of thy music runs from sky to sky. The holy stream of thy music breaks through all stony obstacles and rushes on. My heart longs to join in thy song, but vainly struggles for a voice. I would speak, but speech breaks not into song, and I cry out baffled."
The third poem depicts the way the divinity bursts forth from the music of the Lord's flute. No amount of human endeavor can match the true excellence of the Lord's music. He is infinite and his music is universal. the poet explains how this music has mesmerized his senses.
'By all means they try' (The 32nd Poem In Gitanjali)
"By all means they try to hold me secure who love me in this world. But it is otherwise with thy love which is greater than theirs, and thou keepest me free. Lest I forget them they never venture to leave me alone. But day passes by after day and thou art not seen; If I call not thee in my prayers, if I keep not thee in my heart, thy love for me still waits for my love."
Poem 32 of Gitanjali explains the nature of emotional bonding that occurs soon after the relationship with a human being deepens. This is again a bond and a shackle that ties the human being to a particular post and never sets him free. God is the only entity that has set his spirits free without expecting or demanding anything from him. Obviously, the poet is disgusted with a load of expectations from others, that he has carried on his shoulders his entire life. There are no strings attached to his relationship with God. The memory of God is fleeting and momentary even in the poet's mind but he surely senses how much God loves him without expecting the poet to love him back.
Rabindra Nath Tagore's poetry is an endless journey of reflections in verse form. It never fails to allure those discerning readers amongst us although it remains as mystic poetry for those uninitiated to his poetry.
Disclaimer: The information is based on assumptions and information available on the internet and the accuracy or reliability is not guaranteed. Boldsky doesn't confirm any inputs or information related to the article and our only purpose is to deliver information. Kindly consult the concerned expert before practicing or implementing any information and assumption.